Podcast Con 2005: The Full Review

I’ve already written up a quick reaction to ‘Podcastcon’, the podcasting conference that took place on Saturday, but this is a more in-depth review of the day. I’ve already praised the conference for being very interesting and well-organised, so this entry is taking a more critical approach.

9:30am – Welcome

Neil Dixon introduces the conference and warms up the crowd. He says he does stand-up, and it shows. Nothing seems funny at this time of the morning on a Saturday though.

9:40am – BBC Radio Podcasting

Amusingly, the conference starts with the BBC’s Chris Kimber introducing what the BBC has done with podcasting. I say amusingly, because the BBC clearly didn’t get podcasting started (and there is some debate among delegates over whether early BBC trials really were podcasting, or just MP3 downloads), but the BBC has arguably been the first UK institution to bring podcasting to a wider audience.

Chris Kimber’s analysis of podcasting (as time-shifted, de-coupled from the station brand, on-demand, etc etc) was pretty accurate, but hardly ground-breaking. I was intrigued when he says that podcasts feel ‘tangiable’, as opposed to the ephemeral nature of traditional radio, as clearly digital MP3 files aren’t that tangiable in the physical sense, but I see what he means. When thousands of people download the BBC’s Beethoven MP3s, for instance, do they want to listen to them right away, or just get the satisfaction of ‘owning them’?

Interestingly, this latter behaviour is encouraged by the BBC, more than other podcasters, by the fact that its podcasts (MP3s) are only available for a limited time-period for some unknown reason (the Beethoven download page even talks about a ’7-day license’, with no real explanation).

Overall, though, the BBC’s bottom-line reason for embracing podcasts is sound: it gives better value to the license-fee payer. This is an incentive that commercial operators simply don’t have.

10:15am – Podcasting as a Business Tool

Quite a good overview of the principle of using podcasts to benefit a business by the articulate Neville Hobson. There was a good list of ideas (PDF), and an interesting audio compilation (MP3) of existing business podcasts, including General Motors and Warner Bros.

He suggested that podcasts would almost certainly become ‘monetized’ at some point, but that a few people will probably try and fail in the process (hmm, I can spot those already). The question of ‘how’ was left open.

Neville’s Hobson and Hultz report looks incredibly content-rich, with detailed show notes and a very regular schedule. There was no mention of how exactly this podcast fits into a business model. Perhaps they do it to boost their own profiles, enabling them to get well-paid regular work?

11:00am – Podcast Technologies

Rather misleadingly, this talk was basically Chris Ritke demonstrating his own rather crappy-looking audio and video aggregator website, www.49media.com and weirdo pirvate p2p application outhink.com [sic]. Maybe I’m being thick, but I didn’t get it, and the presentation didn’t really provoke much thought.

As the only ostensibly tech-related talk, I thought this could have been a lot better. Where was the discussion over whether MP3 would always be the format of choice? Or on which is the best podcatcher? Or the finer points of RSS enclosures? Or even some tips on recording and editing techniques.

I read my O’Reilly Podcasting Hacks book (free to me as one of the first paid delegates) during most of this speech, and learnt much more from it than the speaker. Sorry.

11:40am – The Podcast Safe Music Network

This was a good talk by Mark Hunter of the Tartan Podcast, who appeared to my mind to be one of the only small-scale, locally-minded podcasters actually represented on the speaker’s panel. Unfortunately, the talk seemed to be a bit mis-titled, as there wasn’t a huge amount of discussion about the podsafe music network, and the speaker didn’t have the knowledge to be able to answer some of the questions.

I think this is one topic which would have benefited from having a panel of speakers, perhaps including member of a band who had benefited from having their music included on podcasts, a Creative-Commons type person, a music industry representative, a music podcaster, and someone to chair the panel, asking provokative questions.

12:15 – Community & Educational Applications

This was a pretty thought-provoking lecture (in the traditional sense, he bravely didn’t bother with powerpoint) by Milverton Wallace, giving a different side to the podcasting concept. He told the great anecdote of a technology project set up for disadvantaged kids, which filled a room full of high tech gadgets, but failed when kids soon stopped turnin up. Milverton’s analysis to the confused project leaders was ‘because it’s still a classroom, despite the gadgets’. A great example of how community workers can sometimes be blinded by technology and fail to really engage the people they want to attract.

Mind you, I’m not too sure that the idea of giving out iPods and hoping that your audience will download your maths lesson podcast is completely the solution, but Milverton rightly qualified this by saying that it was ‘in addition’ to traditional face-to-face teaching methods, not a replacement. A form of high-tech revision. And that could work.

Milverton also points to the lack of a decent return-path for podcasts, and the difficulties in directly peer-to-peer sharing podcasts from MP3 player to MP3 player (is this possible with an iPod? What about others? WiFi? Bluetooth?).

An inspiring talk, although I did get the feeling he was preaching to the wrong crowd.

2:00pm – Richard Vorbes Live

This was an interesting ideal, well executed, but with poor content. Whilst I was impressed with the sound quality and technical set-up of this live podcast, and the fact that they’d managed to turnaround a package of clips from earlier that morning, it was all I could do to keep myself from cringing through most of the show.

It wasn’t amateurish, it was just, well, the kind of stuff you might expect to hear on local radio at drivetime. The show fell into every radio cliche pitfall, from ‘kerr-razy voices’, through overuse of reverb effects, a honky-honk horn and a ‘guess the tv theme’ feature, all the way to over-explaining technical faults and excessive talk about drinking beer (apparently a regular feature). He evens drags his teenage daughter onto the show (who is actually pretty confident) and makes embarassing comments about his divorce.

I could go on, but I needn’t slag it off any more. The only useful outcome of this session was that it neatly answered the question of whether podcasts are different from radio shows. Yes they are, and now we know why podcasts shouldn’t be second-rate imitations of your local radio jock.

2:40pm – Podcasting & Commercial Radio

This was the session that will no doubt be the most talked-about, largely because of a now-infamous comment to the speaker, James Cridland, of Virgin Radio and MediaUK, that he ‘didn’t get it’. It was a great way to kick of some good debate, and raised the tension level a little, but in some ways the discussion was a bit confused? Is podcasting a revolutionary new platform for the independent media producer, or a revolutionary new content-delivery mechanism for the consumer? Of course, it’s a bit of both, but I’d say that it’s more of the former than the latter. Consumers can already get access to commercial media in a huge number of ways, from terrestial broadcasts, to digital platforms, to internet live and listen-again streams. Naturally, if you also make your content available as downloadable MP3 files, consumers will also flock to that, but that’s perhaps a lesson in the value of DRM-free downloadable media, than anything else. Package the same content up in some propriatary formats, with some bloated client program that downloads the content and dumps it onto an iPod, and the number of people consuming the content would probably fall (although that has arguably been a description of iTunes).

The fact that podcasts can’t legally contain commercial music is also a bigger stumbling block for commercial radio stations than James Cridland made out. He argued that consumers only wanted the speech-content parts of commercial radio shows as podcasts, as they could get the music from the station live. Whilst this may be true of some people, I’d bet that if you made both a full-content podcast and a links-only podcast of a commercial radio show available, both would get a substantial portion of downloads.

As commercial music is never going to be allowed in podcasts any time soon (trust me, it’ll take years, and won’t ever be in free, DRMless downloads), this is a pretty big barrier to the level in which commercial radio stations can tip their toe in the podcast waters. And as pretty much all radio is commercial music radio (BBC Radios 4 and 7 excepted), all radio stations can do is produce ‘taster’ versions of their full content, or additional speech-based ‘extras’, which could still be a big deal in terms of marketing and listener value.

James took it all the criticism well though (and it was already fairly good-natured anyway), although seemed disappointed that his Firefox t-shirt hadn’t done enough for his geek cred to fend off the crowd.

3:15pm – Legal Issues Facing Podcasters

This session was lawyer wanking, if ever I heard it. By avoiding the big issue of music licensing completely, Paul Nicholls was left muttering about defamation this, slander that, quoting a few obscure cases where someone was successfully sued for calling the kettle black. Or something. Add to that the dubious claims that ‘alledgedly’ is enough to keep you out of court (err, no) and that broadcasts are covered by the legislation of the country in which they originate (contentious), and overall it wasn’t too useful a talk. Even the stuff on defamation was too confusing to be useful.

His ultimate advice of ‘consult a lawyer’ could have perhaps been replaced by ‘don’t be stupid’, ‘tell the truth’, and ‘hope for crissakes that you never have to consult a lawyer’, and I could have done the whole thing in thirty seconds.

The only positive thing to come out of the talk, which otherwise suggested that you could be sued for just about anything, was that you can’t defame a class of people. So I can comment, as someone did from tha back (was it James Cridland?) that ‘lawyers are thieving bastards’, and be completely safe. Of course, we all know that that’s not defamation because it’s true anyway…

4:25pm – A Word From Our Sponsors

Tsk, I’m not going to bother commenting on this one, they’ve had enough marketing material out of the event already.

5:00pm – Simulcrum Live!

Another live podcasting experiment, this one more successful. Unfortunately, had I actually been listening to this as a podcast, I would have hit fast-forward a few times. Maybe there’s a reason why podcasts are time-shifted…

Closing Remarks

Well, the closing remarks from me are that it was a really well put-together and successful confernce. Although there are some lessons to take away for next year (and this is already going to be a next year, apparently), there was a definate buzz from the conference and plenty of thoughts and ideas to take home. I want to give a final credit to the organisers for making it a non-profit event, and keeping the costs down to thirty quid (including food). Easy to overlook this fact, but it really made a difference to the type of event it was.

Comments

  1. Excellent well rounded out, unbiased report. I agree that a music panel would be a great feature in the next PodcastCon, and that the title Podsafe Music Network was a bit misleading (I’d originally thought it was Using and Promoting Music in Podcasts).

    The only thing that I’d pick up on is that commerical music is being used in podcasts already – Coverville is the most prominent example. Brian – the host – pays his license and is allowd to play ‘proper’ songs!

  2. I only attended half of the conference but that seems a pretty good summary to me. I found Cridland’s claim that there was no music on Virgin’s casts because it fit the profile of the shows to be a bit dubious; I am quite sure the music is taken out ’cause of legal issues.

    The BPI does not seem to recognise podcasting and podcasts yet (try searching on their horrible website) and I think it will be years before they do.

  3. Hmm, interesting.

    As far as I can tell, the licenses he pays only cover the USA (and so technically only Americans can download them).

  4. Andy said:

    That was an informative and enjoyable review, thanks. Maybe you should sell it to a glossy ‘broadcast magazine’ or something. One thing I don’t get – how can you have a podcast with links?

  5. Ah yes, that’s one of the problems with podcasts – no easy hyperlinks. Of course, you can include audio snippets of other podcasts, and read out URLs in the podcast, but that’s not as fluid as going straight to a linked site on the web.

    This is the reason why there are so many podcast portal sites, I think. And we’ve already learnt that portals never end up being the way that people come across content – they either search, or follow links.

  6. Many thanks for your comments regarding our live show and I am thrilled to be classed a second rate local radio presenter as apposed to a third rate one, as I started out as! :)

    The podcast ‘radio’ show with out dated styles and old fashioned cliché ideas is of course a personal choice and I agree not everyone’s cup of tea. I do come from the old school of doing things and I believe there is a place for it in Podcasting, just as there is a place for endless repeats of old sitcoms on Sky TV.

    For me it’s a training ground to try out my ideas and see what my audience likes.

    Alas, we are growing into a far too sophisticated society where old fashioned values, like fun, silliness and buffoonery is being treated as crass rubbish. Pitty.

    I am learning my skills without training or professional help and to be slated for using old tricks and old styles is a little shameful, as we all have to start somewhere.

    Performing LIVE in front of an audience has an added pressure for the average podcaster who would be used to doing this alone at home. It is a solitary hobby. I think by the nature of the professional handling of the Podcastcon itself has lead people to believe that we are all polished broadcasters with the backing and production team of the BBC or a seasoned radio station.

    It also seems crazy to put down people for trying entertain such a critical audience who are obviously not the main target audience of the show. Perhaps you would have preferred Chris Moyles. He may not be your cup of tea either, but he would have been more professional and no doubt had an experience team of engineers to not only set up the equipment, but to provide the content, which was lacking from our show! But I am sure he wouldn’t have been FREE! As we were!

    You are entitled to your opinions of course and no one can disagree with your own personal likes and dislikes.

    I appreciate the right to reply however and remind you that not every one is perfect or experienced enough at Podcasting to bring off a more successful performance.

    Fear not – we shall not be putting you though it again. I doubt we will be asked back.

    Best wishes and good luck with all you do.

    (I am unlikely to return here to see if you have posted any further comments, but you are more than welcome to contact me by email directly at Richard@vobes.com. I am sure you won’t, but the offer is there. I would be interested to know exactly what you did expect to see at podcastcon in a LIVE environment!) Do you do a podcast and where can I listen to that?

    Richard Vobes
    The Richard Vobes Radio Show
    http://www.Vobes.com

    245 shows and counting! :)

  7. You know for a while there you got under my skin – thinking you were a big wig in radio, media and broadcasting.

    Then I discovered you are 21! I also listened to your podcast!

    :)

    I learnt my lesson not to get worked up or wound up by words in print.

    :)

    In 20 years Frankie you will have mellowed and maybe be divorced yourself – but you will think differently about life. Just bare that in mind when you make comments about people in a different generation.

    You are new and radical and more power to your elbow. You can change the world.

    Thats what I thought 20 years ago at your age!

    Go for it!!!! Your life is in front of you!

    But knock everything, our mistakes are your gains – take them and podcast better!

    Long live the Happy Horn!!

    Oh by the way, your first podcast – er, yes, i did use the fast forward option – but bless, you are learning your craft, so good luck!

    Richard Vobes

  8. Terrific write-up, Frankie. The best I’ve seen about such a terrific day last weekend.

  9. Chris Ritke said:

    Hey Frankie,

    Thanks for your comments on my talk on 49media and SpinXpress… what should I say – I guess if you do something and put your heart into it there’ll always be people who think it’s crap. Oh well. Can’t win ‘em all, I guess. I wonder what the 20,000 people using 49Media every day are thinking.

    Anyway – drop me a line at critke at gmail dot com – I’d like to hear from you what you think we could do to improve 49media.com! You sound like you’ve got some great ideas on how things should be done.

  10. Wow, I’m impressed. Almost all the speakers I criticised have now left a comment (podcastpaul responded on the forum. This is good – this is what weblogs and web are all about: conversation.

    Firstly, thanks to everyone who commented (in praise or otherwise). I’m interested in what other delegates thought of the event. I’ve done a bit of hunting around, and haven’t yet found many other people who have written extensive reviews, but a search for ‘podcastcon’ gets a lot of results, so maybe I’m missing them.

    I responded via e-mail to Richard Vobes (seeing as he was ‘sure’ that I wouldn’t), but I’ll summarise what I said briefly here. I actually thought his technical skill was good, the show sounded slick and polished – partly down to some good audio kit, but also experience in driving the desk. I was also impressed with the the speedy production on the interviews.

    My main issue was that the content didn’t sound like a podcast, to my mind, and so it was difficult to distinguish what was ‘different’ between it and traditional local radio broadcasts. That’s fine in itself, and there’s room in the podcastosphere for those types of broadcasts, but I didn’t see what it added to a conference about podcasting.

    So, I’m sorry my review wound you up Richard, and in return I’ll forgive you for patronising me in your second comment (although I’ll grant you that my initial podcasting experiment wasn’t a huge success).

    To Chris Ritke – I’m sorry that your site doesn’t do anything for me. Maybe I just don’t ‘get it’ (that catchphrase of the day again). The search results just seem a bit random to me, and the browse functionality doesn’t match the way I tend to seek out content on the web.

  11. Chris Ritke said:

    Who knows who doesn’t get it. The big question is: WHAT IS RELEVANT?

  12. I would be curious to learn why some critics maintain that there has to be room in the “podosphere” for a particular type of broadcast and not for others, such as the Richard Vobes show, which was criticised (to my mind, unfairly) for being too much like drivetime radio. Surely if the medium is unregulated, as it would appear to be, pretty much anything is podcastable, and it is down to the listener to make his/her choice of listening and to the podcaster to make his/her programmes. Isn’t this what we do with other, more traditional broadcast media? If dictates are placed on what is suitable for podcasting and what is not, does this not put everything back decades? Let it not be forgotten, podcasting is just another broadcasting tool, albeit an exciting and hugely liberating one, and we should not seek to restrict it through narrow-mindedness and/or self-promotion.

  13. Charliemac said:

    Who gave Frank Roberts the licence to say what should be a podcast and what shouldn’t?

    Listening to a Podcast is choice. This is why they exist. To ensure that nobody tells us what to listen to and when.

  14. Honestly… Of course, anyone has the right to make a podcast, and anyone has the right to choose what to listen to. I also have the right to criticise other people’s work. Ho hum.

    Besides, my main point was that I didn’t think that the Vobes show was the best example of a live podcast to be demonstrated at a podcast conference – I would have preferred something a little more groundbreaking. I have no problem with Vobes having a podcast at all, I’m sure he has some fans.